Shahar Afek, Doaa Badran, Mai Daas, Assaf Hinden, Suma Kaedan, and Guy Nissenhaus | Oded Shatil Gallery, Tel Aviv
The group exhibit “Walls have Ears” refers to the tension between what is said and what is not said in a private environment, when suspecting that outsiders are listening. This is an opportunity for the spectator to enter what is at once both a home and a gallery. The works showcased deal with the tension existing between the private and public, through processes such as image and form manipulation.
Full exhibition text: ⤋ English
Shahar Afek, Doaa Badran, Mai Daas, Assaf Hinden, Suma Kaedan, and Guy Nissenhaus | Oded Shatil Gallery, Tel Aviv
The group exhibit “Walls have Ears” refers to the tension between what is said and what is not said in a private environment, when suspecting that outsiders are listening. This is an opportunity for the spectator to enter what is at once both a home and a gallery. The works showcased deal with the tension existing between the private and public, through processes such as image and form manipulation.
Full exhibition text: ⤋ English
Suma Kaedan, Peas #1
Peas #1, polymer clay and beads, 2019, 9.5x2.5cm
Assaf Hinden, Installation View
Assaf Hinden, Keep it in, 30x50cm, 2019, archival pigment print and Soldier Down, 2019, 30x45cm, archival pigment print
Doaa Badran, Installation View
Doa Badran, Installation View
Suma Kaedan, Peas #2
Peas #2, 2019, 75x30x7.5cm, ready made
Assaf Hinden, Gets the Red Out
Gets the red out, 2019, 150x70cm, 2019, archival pigment print
Suma Kaedan, Untitled
Untitled, 2019, ready made, 28x28cm
Shahar Afek, Installation View
Shahar Afek, Evening Menu
Evening Menu, glass and scent, 2019, variable sizes
Guy Nissenhaus, Installation View
Guy Nissenhaus, Installation View
Installation View
Doaa Badran, Damiana
Damiana, 2017, 50x80cm, steel wool
Mai Daas, Lama
Lama, 2019, 53x75cm, oil on canvas
Mai Daas, Masa
Masa, 2019, 53x75cm, oil on canvas
Mai Daas, Masa
Masa, 2019, 53x75cm, oil on canvas