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Vow

Doaa Badran, Rahmi Hamzi, Suma Kaedan and Yara Qassem Mahajena | Gallery of Bezalel Academy of Arts and Design MFA and Al Markaz Contemporary Art Gallery, Jerusalem

“Vow” focuses on the representation of female goddesses in pre-monotheistic creeds from the Near East. The work of Doaa Badran, Rahmi Hamzi, and Suma Kaedan explores the themes of womanhood, domesticity, and religion, and how these intersect with ancient myths and rituals. Badran's work raises questions about the relationship between religion and blind faith, and the role of women in religious tradition and practice. Hamzi's work combines sexual and religious symbolism to reflect on the taboos of religion, such as the sexualization of gender. Kaedan's work explores the relationship between humans and the natural environment, and how this relationship is shaped by societal and cultural norms. The exhibition suggests continuity in the convergence of various attributes of womanhood and challenges traditional gender roles of power and creation through the use of botanical references, domestic objects, and natural imagery.

Full exhibition text: ⤋ English

Vow

Doaa Badran, Rahmi Hamzi, Suma Kaedan and Yara Qassem Mahajena | Gallery of Bezalel Academy of Arts and Design MFA and Al Markaz Contemporary Art Gallery, Jerusalem

“Vow” focuses on the representation of female goddesses in pre-monotheistic creeds from the Near East. The work of Doaa Badran, Rahmi Hamzi, and Suma Kaedan explores the themes of womanhood, domesticity, and religion, and how these intersect with ancient myths and rituals. Badran's work raises questions about the relationship between religion and blind faith, and the role of women in religious tradition and practice. Hamzi's work combines sexual and religious symbolism to reflect on the taboos of religion, such as the sexualization of gender. Kaedan's work explores the relationship between humans and the natural environment, and how this relationship is shaped by societal and cultural norms. The exhibition suggests continuity in the convergence of various attributes of womanhood and challenges traditional gender roles of power and creation through the use of botanical references, domestic objects, and natural imagery.

Full exhibition text: ⤋ English

Installation View

Installation View

Installation View

Installation View

Suma Kaedan, Holy Thorns

Suma Kaedan, Holy Thorns

Holy Thorns, mixed media, 2018, 80x190x24cm

Doaa Badran, Umbilical Chord

Doaa Badran, Umbilical Chord

Umbilical Cord, steel wool, 2018, various dimensions

Doaa Badran, Barren

Doaa Badran, Barren

Barren, air drying clay, 2018, 95x70cm


Rahmi Hamzi, Misbaha 1

Rahmi Hamzi, Misbaha 1

Rahmi Hamzi, Misbaha 1, mixed media, 2018, variable sizes

Installation View

Installation View

Rahmi Hamzi, Crow Woman

Rahmi Hamzi, Crow Woman

Rahmi Hamzi, Crow Woman, mixed media, 2018, variable sizes

Doaa Badran, Vicious Circle

Doaa Badran, Vicious Circle

Doaa Badran, Vicious Circle, assemblage, 2018, 100x60x60cm

Rahmi Hamzi, Misbaha 2

Rahmi Hamzi, Misbaha 2

Rahmi Hamzi, Misbaha 2, mixed media, 2018, variable sizes

Suma Kaedan, Festivity Cookies

Suma Kaedan, Festivity Cookies

Suma Kaedan, Festivity Cookies, mixed media, 2018, various sizes

Installation View

Installation View

Rahmi Hamzi, Misbaha 2 Detail

Rahmi Hamzi, Misbaha 2 Detail

Detail of Misbaha 2, mixed media, 2018, variable sizes

Suma Kaedan, Untitled Detail

Suma Kaedan, Untitled Detail

Untitled, 2018, epoxy dough, variable sizes

Yaara Qassem Mahajena, Offering to the Gods

Yaara Qassem Mahajena, Offering to the Gods

Image from Performance Offering to the Gods

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