Guy Levy and Nardeen Srouji | Idris Gallery, Tel Aviv
Reflecting upon the perceptions of the Middle Eastern setting and the symbols most representative of it by both those who are a part of it and onlookers, Levy and Srouji touch upon issues of identity, here emphasized via the use color and displacement and re-placement of elements (from and within) their environments. Power relations and embodiments of social and political issues are affronted by the artists in two distinct manners. Srouji focuses on the process of creation and questions of material representation of inescapably fluid social and political issues which she faces daily. Departing from the familiar object, but displacing it, she challenges its status-quo thereby inviting the viewer to reconfigure their own perception of the world. Levy’s work is rooted in his attempt to extricate the enduring negative connotation often attributed to the Levant. In his compositions, there is an ambivalence that stems from the mutual definition of the characters as Others and from the changing hierarchies of control and influence that form between them.Thereby dramatic contrast of Caucasian and oriental figures and mundane symbols–and technique reminiscent of expressionism – becomes a means to reflects upon his own sense of social and political exclusion as a Sephardi Jew in Israel.
Full exhibition text: ⤋ English
Guy Levy and Nardeen Srouji | Idris Gallery, Tel Aviv
Reflecting upon the perceptions of the Middle Eastern setting and the symbols most representative of it by both those who are a part of it and onlookers, Levy and Srouji touch upon issues of identity, here emphasized via the use color and displacement and re-placement of elements (from and within) their environments. Power relations and embodiments of social and political issues are affronted by the artists in two distinct manners. Srouji focuses on the process of creation and questions of material representation of inescapably fluid social and political issues which she faces daily. Departing from the familiar object, but displacing it, she challenges its status-quo thereby inviting the viewer to reconfigure their own perception of the world. Levy’s work is rooted in his attempt to extricate the enduring negative connotation often attributed to the Levant. In his compositions, there is an ambivalence that stems from the mutual definition of the characters as Others and from the changing hierarchies of control and influence that form between them.Thereby dramatic contrast of Caucasian and oriental figures and mundane symbols–and technique reminiscent of expressionism – becomes a means to reflects upon his own sense of social and political exclusion as a Sephardi Jew in Israel.
Full exhibition text: ⤋ English
General View
General View
Nardeen Srouji, Layers
Layers, 2017, Mixed Media, 100x100x10cm
General View
Right: Nardeen Srouji, Red Stitch, 2018, Mixed Media, 69x35cm
Left: Guy Levy, The Untold History, 2018, Oil on Canvas, 180x160cm
Nardeen Srouji, Arches
Arches, 2018, Wood, 38.5x26cm
Guy Levy, Women of the Middle East
Women of the Middle East, 2018, Oil on Canvas, 160x130 cm
Nardeen Srouji, Hummus Foul
Hummus Foul, 2018, Mixed Media, 40x120x7cm
Guy Levy, Playing Red
Playing Red, 2018, Oil on Canvas, 90x110cm
Nardeen Srouji, Red Thread
Red Thread, 2018, Mixed Media, 89x35cm
Nardeen Srouji, Arch and Arches
Arch and Arches, 2018, Wood, 40x120x7cm
Guy Levy, A Mediterranean Portrait and a Lady
A Mediterranean Portrait and a Lady, 2017, Oil on Canvas, 150x130cm
Nardeen Srouji, Red Stitch
Red Stitch, 2018, Mixed Media, 69x35cm
General View
Guy Levy, Men in Black
Men in Black, 2018, Oil on Canvas, 180x160cm
Nardeen Srouji, Bookjah
Bookjah, 2018, Sculpture, 40x40cm approx.