Shahar Afek, Doaa Badran, Mai Daas, Assaf Hinden, Suma Kaedan, and Guy Nissenhaus | Hotel Petit Palace de Santa Bárbara, Madrid
The group exhibition 'Hybrid' deals with non-traditional representation of art. The venue, a hotel room, is used to host works by visual artists who explore the concept of hybridity. Guy Nissenhaus presents a group of wooden DIY dogs that play with the idea of animate and lifeless, and critiques contemporary compulsion with easy and portable solutions and ownership. Shahar Afek's glass sculptures contain smells infused into the glass, inspired by memories, highlighting the perception of tangible and intangible and attempting to transmit memories. Assaf Hinden's photographs draw upon archival objects; the final works presented are a hybrid, at once documentation of the past and new subjects. Doa Badran's metal mesh sculptures produced by repurposing cleaning sponges and placed on a bed, become whimsical objects, an in-between of intimidating and sterile. Suma Kaedan's wax reproductions of kohl bottles, usually made of brass or other metal, are empty representations, which raise questions on materiality and purpose.
The exhibit was accompanied by the performance Evening Menu by Shahar Afek.
Full text: ⤋ English
Shahar Afek, Doaa Badran, Mai Daas, Assaf Hinden, Suma Kaedan, and Guy Nissenhaus | Hotel Petit Palace de Santa Bárbara, Madrid
The group exhibition 'Hybrid' deals with non-traditional representation of art. The venue, a hotel room, is used to host works by visual artists who explore the concept of hybridity. Guy Nissenhaus presents a group of wooden DIY dogs that play with the idea of animate and lifeless, and critiques contemporary compulsion with easy and portable solutions and ownership. Shahar Afek's glass sculptures contain smells infused into the glass, inspired by memories, highlighting the perception of tangible and intangible and attempting to transmit memories. Assaf Hinden's photographs draw upon archival objects; the final works presented are a hybrid, at once documentation of the past and new subjects. Doa Badran's metal mesh sculptures produced by repurposing cleaning sponges and placed on a bed, become whimsical objects, an in-between of intimidating and sterile. Suma Kaedan's wax reproductions of kohl bottles, usually made of brass or other metal, are empty representations, which raise questions on materiality and purpose.
The exhibit was accompanied by the performance Evening Menu by Shahar Afek.
Full text: ⤋ English
Installation View
Doaa Badran, Spiders
Spiders, steel wool, 2019, variable sizes
Suma Kaedan, Antimony
Antimony, wax, 2019, variable sizes
Guy Nissenhaus, Installation View
Installation View, mixed media, 2019, variable sizes
Mai Daas, Conversation
Conversation, oil on canvas, 2019, 100x70cm
Mai Daas, Opposition
Opposition, oil on canvas, 2019, 100x70cm
Shahar Afek, Evening Menu
Evening Menu, glass and scent, 2019, multiple sizes
Assaf Hinden, Untitled
Untitled (Dragonfly), photography, archival pigment print, 2019, 40x40cm
Assaf Hinden, Untitled
Untitled (Duo), photography, archival pigment print, 2019, 20x30cm
Assaf Hinden, Untitled
Untitled (Bellows), photography, archival pigment print, 2019, 40x40cm
Assaf Hinden, Untitled
Untitled (Chair), photography, archival pigment print, 2019, 35x35cm